Pitch Deck & Treatment Design

Here is how the work lines up. A pitch deck in New York is a working document for one of the most concentrated financing markets in the world. The same producer might walk it through HBO and Showtime offices in Midtown, Netflix's Times Square headquarters, Apple TV+ space, Amazon Studios NY, NBCUniversal at 30 Rock and CBS News in the same week, then carry it down to equity meetings around Wall Street, Hudson Yards and Battery Park.

Our designers build decks that frame the creative the way New York buyers read material — logline, tone, packaging, comps, viewers, business case — while folding in the NYS Film Tax Credit math (30% production plus the 10% NYC uplift, 30 to 35% post-prod, and 35% qualifying upstate counties) so financiers can model recoupment without leaving the page.

The process moves with the calendar of the meeting it has to land. We start with a strategy session covering target buyers and likely objections, build a story spine that survives the elevator at One World Trade and the long table at HBO, and design slides that hold up when projected onto a network conference-room wall or scrolled on a phone in a Tribeca cafe. Treatment pages, look-and-feel boards, schedule and budget summaries, comparable-title performance, delivery scenarios and tax-credit cash flow all sit inside a single document, with print-ready and hands-on web exports for follow-up. Standard turnaround is seventy-two hours, with rush windows for green-light meetings and Q&A coaching for the conversations that come after the deck has done its job.