
SCENE 01 / POST-PRODUCTION
Post-Production & Editing Services New York
We turn raw footage into finished, broadcast-ready content. Our post-production team brings both technical precision and creative leadership to film, television, and digital media.
Finishing with Excellence
Comprehensive Post-Production Services
From editorial assembly to final delivery, our team brings your vision to life with world-class finishing for film, TV, commercials, and digital content.
Editorial Excellence
Our Avid and Premiere editors have shaped Netflix and HBO content for global distributors, turning footage into tight narrative pieces.
Visual Finishing
Our NYC facilities pair DaVinci colorists with Nuke compositors, working in HDR and ACES for broadcast-compliant delivery.
Audio Perfection
Our Dolby-certified mixing stages, Foley rooms, and ADR booths produce audio for cinema, streaming, and broadcast.
Service Catalog
Our Post-Production Services
Complete post-production pipelineβediting, color, VFX, audio, and delivery to any specification.
Editing & Assembly
Linked ServicesVideo Editing
Our Premiere Pro and Avid editors handle commercials, documentaries, and feature films, taking each one from first assembly to final picture lock.
Rough Cut to Final Cut
We fold in director notes and revision rounds, then lock the timeline so it is ready to finish.
Narrative & Documentary
We turn interview recordings, B-roll, and scripted content into a clear story through proven editing techniques.
Multi-Cam Sync
We sync the camera angles from concerts, panels, and live events into a single, unified edit.
Interview & Dialogue
We trim pauses, smooth jump cuts, and pull the best selects from long interview recordings.
Color & Visual Finishing
Linked ServicesColor Correction
We match your shots and keep exposure and white point steady, even when footage comes from different lights and cameras.
Color Grading
Our colorists work in DaVinci Resolve and Baselight to build cinematic looks, from film-like tones to bright commercial palettes.
Online Conform & QC
We fold in final VFX and run automated QC checks for broadcast-compliant delivery.
Look Development
We build pre-production LUTs and style references so your final look shows right on set monitors.
Motion & VFX
Linked ServicesMotion Graphics
Our After Effects and Cinema 4D artists build lower thirds, animated sequences, and infographics for both television and online.
VFX Compositing
Our Nuke and Fusion compositors blend green screen plates with set extensions and invisible effects for seamless live-action VFX.
CGI & 3D Animation
Our Maya and Houdini artists create photorealistic environments, character animation, and product visualization for commercials and film.
Title Design
We design main titles, end crawls, and credit sequences that match your project's tone and brand guidelines.
Matte Painting
Our artists use Photoshop and 3D software to build environments, replace sky backgrounds, and extend sets from live-action scenes.
Rotoscoping
We hand-trace mattes frame by frame to remove actors and unwanted elements for complex composites.
Audio Post
Linked ServicesSound Design
We craft sonic atmospheres, impacts, and textures that support your story's emotional beats and pacing.
Foley Recording
Our NYC Foley artists record every on-screen sound, from footsteps to cloth and prop noises, matched tightly to the action.
Dialogue & ADR
We clean up production audio, replace dialogue, and record New York/English lip-sync to picture.
Music & Scoring
We commission original scores from New York composers and handle library music supervision and sync licensing.
Mixing & Mastering
We mix in Pro Tools on Dolby-certified stages with broadcast-compliant loudness metering.
Immersive Audio
We deliver Dolby Atmos mixes alongside 5.1 and 7.1 for theatrical, streaming, and broadcast, with exact object and bed placement.
Audio Restoration
We use iZotope and Cedar to strip hum, wind, traffic, and production noise from location recordings.
Delivery & Output
Linked ServicesDCP Creation
We build digital cinema packages with encryption, KDMs, and ingestion testing for New York and international theaters.
Broadcast Delivery
We deliver masters that meet ABC, CBS, NBC, and EBU R128 specs, with full QC reports.
Streaming Platforms
We prepare Netflix, Amazon, Disney+, and Apple TV+ deliverables that meet each platform's own technical requirements.
Archival & Preservation
We create LTO tape archives, checksummed backups, and preservation masters to protect your assets long term.
Format Conversion
We transcode between ProRes, DNxHD, H.264/265, and legacy formats, and we adjust frame rate and resolution as needed.
Why Fixer in New York
Why Choose Us for Post-Production
Industry-standard workflows, creative expertise, and seamless delivery for projects of any scale.
01.
Industry Standards
Our broadcast-compliant workflows meet Netflix, BBC, and major platform specifications.
02.
Fast Turnaround
We offer expedited delivery and 24/7 support for tight deadlines and urgent projects.
03.
Creative Partnership
We work closely with directors and producers to bring your vision to the screen.
04.
End-to-End Service
We run the full post-production pipeline from ingest to final delivery under one roof.
On Location
Post-Production Services for New York Productions
After a shoot wraps in Brooklyn or clears a Times Square exterior, the real storytelling work starts in post. Our New York post-production team handles the full journey from raw camera footage to broadcast-ready masters, blending edit discipline with technical care on every project. We work across narrative film, television, and digital formats. The goal is to keep the creative intent set on set while meeting the specs each platform demands, whether that is broadcast, streaming, or theatrical.
Manhattan editors, calibrated suites, and Dolby-certified stages β every deliverable from network master to theatrical DCP, finished to spec.
Our editing process builds your story from the ground up, taking it from rough cut to final cut. Our editors are skilled in both dialogue-driven narrative work and interview-based documentary formats. Color correction and grading shape the visual tone of your final piece, whether we are restoring flat log footage or building a fresh look for a commercial or drama series. Multi-cam sync editing fits into the same integrated workflow, keeping multi-angle projects ordered and on schedule through each revision cycle.
FAQs
Post-Production FAQs
Answers about timelines, deliverables, and how we handle your post-production needs.
What's included in post-production services?
The process runs from dailies all the way through to final delivery. We edit offline in Avid or Premiere, then move to online conform for VFX, DaVinci color sessions, and Pro Tools sound editorial with Foley and ADR when needed. Each project ends with a final mix on a calibrated stage. Our team handles every tech handoff, so you are not juggling separate vendors. Deliverables come QC'd to spec, whether that is a Netflix IMF, a network broadcast master, or encrypted DCPs for theatrical.
How long does post-production typically take?
Commercials run 2-3 weeks from offline lock to final delivery. Documentaries take eight to twelve weeks, since that depends on the work to clear archives and transcribe interviews. Projects with heavy visual effects need 16β24 weeks, while dialogue-driven work moves faster. We have pulled off emergency turnarounds when festival deadlines loom, but those cost more and burn people out. It is better to build realistic schedules from the start.
Do you handle international deliverables?
Yes, every day. Each streaming site has its own tech specs: Netflix needs IMF packages with set audio channel layouts, Amazon runs its own quality review, and Apple TV+ needs Dolby Vision support. Our team stays current on all of them. For broadcast, we deliver to both EBU R128 and ATSC A/85 loudness standards for global and US channels. We also test Cinema DCPs on theater servers before we start delivery.
Can you match existing looks or brand guidelines?
Yes, we do. Our colorists work from LUTs, CDLs, and reference stills to match seasons, hold brand consistency, and recreate a director's reference look. Each suite has calibrated monitors that set proper viewing conditions, so you see your OK'd content the way a theater will show it. For series work, we build show LUTs that stay steady from episode to episode and season to season.
What formats can you work with?
We handle every current format: ARRIRAW, RED R3D, Sony Venice X-OCN, Blackmagic RAW, and ProRes in all flavors. We also work with legacy formats when archive material enters the cut, such as digibeta, HDCAM SR, and even film scans. The NYC facilities we work with keep both a modern setup and the older decks for when you need them.
On Set
Ready to Finish Your Project?
Tell us about your project, and we will deliver broadcast-ready masters on time and on budget.