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Central Park Aerial - filming location in New York

SCENE 01 / POST-PRODUCTION

Post-Production & Editing Services New York

We turn raw footage into finished, broadcast-ready content. Our post-production team brings both technical precision and creative leadership to film, television, and digital media.

EditingProfessional editing from rough cut to final assembly.
VisualColor grading, VFX, motion graphics, and finishing.
DeliveryBroadcast, streaming, and cinema-ready masters.
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Finishing with Excellence

Comprehensive Post-Production Services

From editorial assembly to final delivery, our team brings your vision to life with world-class finishing for film, TV, commercials, and digital content.

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Editorial Excellence

Our Avid and Premiere editors have shaped Netflix and HBO content for global distributors, turning footage into tight narrative pieces.

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Visual Finishing

Our NYC facilities pair DaVinci colorists with Nuke compositors, working in HDR and ACES for broadcast-compliant delivery.

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Audio Perfection

Our Dolby-certified mixing stages, Foley rooms, and ADR booths produce audio for cinema, streaming, and broadcast.

Service Catalog

Our Post-Production Services

Complete post-production pipelineβ€”editing, color, VFX, audio, and delivery to any specification.

Why Fixer in New York

Why Choose Us for Post-Production

Industry-standard workflows, creative expertise, and seamless delivery for projects of any scale.

01.

Industry Standards

Our broadcast-compliant workflows meet Netflix, BBC, and major platform specifications.

02.

Fast Turnaround

We offer expedited delivery and 24/7 support for tight deadlines and urgent projects.

03.

Creative Partnership

We work closely with directors and producers to bring your vision to the screen.

04.

End-to-End Service

We run the full post-production pipeline from ingest to final delivery under one roof.

On Location

Post-Production Services for New York Productions

After a shoot wraps in Brooklyn or clears a Times Square exterior, the real storytelling work starts in post. Our New York post-production team handles the full journey from raw camera footage to broadcast-ready masters, blending edit discipline with technical care on every project. We work across narrative film, television, and digital formats. The goal is to keep the creative intent set on set while meeting the specs each platform demands, whether that is broadcast, streaming, or theatrical.

Manhattan editors, calibrated suites, and Dolby-certified stages β€” every deliverable from network master to theatrical DCP, finished to spec.

Our editing process builds your story from the ground up, taking it from rough cut to final cut. Our editors are skilled in both dialogue-driven narrative work and interview-based documentary formats. Color correction and grading shape the visual tone of your final piece, whether we are restoring flat log footage or building a fresh look for a commercial or drama series. Multi-cam sync editing fits into the same integrated workflow, keeping multi-angle projects ordered and on schedule through each revision cycle.

FAQs

Post-Production FAQs

Answers about timelines, deliverables, and how we handle your post-production needs.

What's included in post-production services?

The process runs from dailies all the way through to final delivery. We edit offline in Avid or Premiere, then move to online conform for VFX, DaVinci color sessions, and Pro Tools sound editorial with Foley and ADR when needed. Each project ends with a final mix on a calibrated stage. Our team handles every tech handoff, so you are not juggling separate vendors. Deliverables come QC'd to spec, whether that is a Netflix IMF, a network broadcast master, or encrypted DCPs for theatrical.

How long does post-production typically take?

Commercials run 2-3 weeks from offline lock to final delivery. Documentaries take eight to twelve weeks, since that depends on the work to clear archives and transcribe interviews. Projects with heavy visual effects need 16–24 weeks, while dialogue-driven work moves faster. We have pulled off emergency turnarounds when festival deadlines loom, but those cost more and burn people out. It is better to build realistic schedules from the start.

Do you handle international deliverables?

Yes, every day. Each streaming site has its own tech specs: Netflix needs IMF packages with set audio channel layouts, Amazon runs its own quality review, and Apple TV+ needs Dolby Vision support. Our team stays current on all of them. For broadcast, we deliver to both EBU R128 and ATSC A/85 loudness standards for global and US channels. We also test Cinema DCPs on theater servers before we start delivery.

Can you match existing looks or brand guidelines?

Yes, we do. Our colorists work from LUTs, CDLs, and reference stills to match seasons, hold brand consistency, and recreate a director's reference look. Each suite has calibrated monitors that set proper viewing conditions, so you see your OK'd content the way a theater will show it. For series work, we build show LUTs that stay steady from episode to episode and season to season.

What formats can you work with?

We handle every current format: ARRIRAW, RED R3D, Sony Venice X-OCN, Blackmagic RAW, and ProRes in all flavors. We also work with legacy formats when archive material enters the cut, such as digibeta, HDCAM SR, and even film scans. The NYC facilities we work with keep both a modern setup and the older decks for when you need them.

On Set

Ready to Finish Your Project?

Tell us about your project, and we will deliver broadcast-ready masters on time and on budget.