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Soho Cast Iron - filming location in New York

SCENE 01 / LED LIGHTING SYSTEMS

LED Lighting Systems

Professional LED lighting packages for film, TV, and commercial production across New York.

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Here is how this works in practice. LED lighting systems have transformed film production with their energy efficiency, low heat output, and tunable color. In New York, LED technology is standard at Steiner Studios, Silvercup Studios, and Kaufman Astoria, where energy-efficient LED operation helps manage power limits common in NYC location shoots.

Here is the short of it. We source LED lighting systems from top manufacturers through NYC rental partners like TCS and ARRI Rental, matching your gaffer's specs with ready inventory. Our team sets up fixture selection, control systems, and accessories for a complete LED package suited to New York's production demands.

Capabilities

LED Lighting Solutions

From compact interview kits to large-scale studio installations, we provide professional LED lighting equipment with the color accuracy and control modern productions demand.

01

Cinema LEDs

  • ARRI SkyPanel series
  • Aputure 600d/1200d
  • Litepanels Gemini
  • ARRI Orbiter systems
  • Large panel arrays

Cinematic Power

02

RGB & Effects

  • Full RGB control
  • Astera tubes and bulbs
  • Quasar Science tubes
  • Pixel-mapped fixtures
  • App-controlled systems

Creative Color

03

Portable LED

  • Battery-powered fixtures
  • Compact interview kits
  • Run-and-gun packages
  • Travel-friendly systems
  • Quick-deploy setups

Mobile Solutions

04

Large Scale

  • Studio installations
  • Cyclorama lighting
  • Greenscreen systems
  • Event and stage
  • Architectural integration

Major Productions

On Location

Cinema-grade LED packages tuned to NYC stages and street work

Here is how the work lines up. LED is the default lighting layer on each New York drama, feature and commercial that runs through Steiner Studios in Brooklyn Navy Yard, Silvercup in Long Island City, and Kaufman Astoria in Queens — and our packages are built around the fixtures NYC gaffers actually call for.

Here is what that looks like on the ground. IATSE Local 52 lighting departments specify ARRI SkyPanel S60 and S30 for soft-panel positions, Aputure 1200d and 600x for harder COB throws, Mole-Richardson and Litepanels Gemini for the cinema-LED range, and Astera Titan tubes plus Quasar Science for the practical and pixel-mapped work showing up on HBO, Netflix and FX tight series.

Here is how the picture comes together. Inventory comes through Eastern Effects out of Gowanus, Hello Bro on the West Side, JR Lighting & Power, and ARRI Rental — the houses Local 52 best boys pull from when they need same-day swaps between Brooklyn loft interiors and a Manhattan rooftop hero shot. ARRI Orbiter fills the slot when the DP wants the highest TLCI numbers for global streamer delivery against the NYS Film Tax Credit 30% baseline plus the 10% NYC uplift sign-off.

Here is what we have to work with. Control and power infrastructure are part of each package, not an afterthought. DMX over wired and LumenRadio CRMX, in-house apps for ARRI, Aputure and Astera, and full lighting consoles are named for shoots that need pixel-mapped cycloramas on Steiner Stage 5, greenscreen at Kaufman Astoria, or programmable practicals on Brooklyn brownstone interiors. Battery-powered LED kits run on V-mount and Gold-mount packs for shoots inside Manhattan apartments and Brooklyn lofts where the ConEd tie-in is tight or the Tier-4 low-emission power packs rules south of 60th Street block traditional diesel sets.

Here is the layout. IATSE Local 52 gaffers and lighting technicians fluent in modern LED workflow. DMX patching, wireless commissioning, LUT-matched colour management against the DP's monitor — book directly alongside the gear, with NYC MOME Made in NY permits, FDNY film safety officer planning and NYS Film Tax Credit forms handled on the same line.

FAQ

Professional LED Equipment

What LED brands do you offer?

Here is the breakdown. We give gear from all major pro LED brands including ARRI (SkyPanel, Orbiter), Aputure (LS series, amaran), Astera (Titan Tube, Helios), Litepanels (Gemini, Astra), Quasar Science, and others. Brand selection depends on availability and your specific needs.

Can LED lights match tungsten or daylight?

Yes. Modern cinema LEDs give great color accuracy and can dial to precise color from 2700K tungsten to 6500K daylight and beyond. High-end fixtures like ARRI SkyPanel give TLCI ratings of 95+ for broadcast and cinema applications.

Are battery-powered LED options available?

Yes. Many LED fixtures operate on V-mount or Gold-mount batteries, making them ideal for location work without power packs access. We can specify battery-powered packages for run-and-gun documentary, ENG, and remote location shoots.

How do you control multiple LED fixtures?

LED control options have DMX (wired and wireless), proprietary apps (ARRI, Aputure, Astera), and integrated console systems. We can give control infrastructure matched to your production's complexity.

Do LED packages include stands and rigging?

Basic packages have appropriate stands for each fixture. Overhead rigging, specialty mounts, and advanced grip kit are ready as additions. We can specify complete packages including all support gear.

Can you provide LED technicians for operation?

Yes. We can give LED/lighting technicians familiar with modern LED systems, DMX programming, and wireless control for shoots needing tech support beyond standard gaffer services.

Productions in New York that need this often pair it with Gaffer & Lighting Services, Grip Services, and Portable Power Solutions for full coverage. Most projects also draw on 360° Video Production and Production Services.

On Set

Need LED Lighting?

Tell us about your production and we'll specify the right LED package for your needs.