Gimbal Filming Services

Here is how the work lines up. Gimbal filming in New York spans the lightweight handheld units that move through SoHo lofts, the Lower East Side and Williamsburg storefronts for fashion and brand work through to the heavy-lift cinema rigs supporting full ARRI Alexa Mini LF and RED V-Raptor packages on feature shoots at Steiner Studios in the Brooklyn Navy Yard, Silvercup Studios in Long Island City, Kaufman Astoria Stage K in Queens, Broadway Stages and York Studios in the Bronx.

Our op pool draws from the IATSE Local 600 cinematographer East branch and includes Ronin and MoVI specialists with credits on The Marvelous Mrs. Maisel, Succession, Severance, Only Murders in the Building, Billions and the major Netflix and HBO Max series shot across the five boroughs. Equipment routes through Hand Held Films, AbelCine in Chelsea, Adorama Rentals and DCTV's TriBeCa facility, with DJI Ronin 2, RS3 Pro, RS4 Pro, Freefly MoVI Pro, MoVI Carbon and Tilta Gravity systems matched to the camera package and shot complexity. The walk-and-talk vocabulary that defined the Aaron Sorkin and West Wing era — and that Mrs. Maisel pushed into its own oner aesthetic — sits at the centre of the New York gimbal repertoire.

Workflow on the street starts with the Mayor's Office of Media and Entertainment (MOME) Made in NY permit, NYPD Movie & TV Unit coordination for any rolling sidewalk closure, and the Hudson River Park Trust or NYC Parks paperwork for filming in the High Line, Brooklyn Bridge Park, Central Park, Prospect Park and the Domino Park district. Inside the stages, gimbal ops work alongside the steadicam pool and the gaffer teams handling the LED volume work for hybrid virtual-production setups at Steiner Brooklyn Navy Yard.

Wireless follow-focus through Preston FI+Z, Teradek RT and ARRI cforce systems lets the focus puller pull from distance, while wireless video through Teradek Bolt and Hollyland Pyro feeds the village monitors. Battery management on extended one-take sequences runs hot-swap V-mount and B-mount packages with dedicated AC support. Ops arrive prepped with backup gimbal heads and the spare arms that NYC's tight permit windows demand. The New York State Film Tax Credit at 30%, with the additional 10% NYC outer-borough uplift on qualifying productions, applies to gimbal-unit spend through the standard Empire State Development application alongside the Local 600 cinematographer documentation.